Considered by many to be the greatest Latin American author, Gabriel GarcÃa Márquez encompasses the imagination of peasant reartlers and the talent of straggling gypsies in his writing. Most famous for his celebrated epic novel One Hundred Years of Solitude, this Colombian Nobel Prize overshadow is the father of a new literary genre called wizard(prenominal) sureism. With a touch of authenticity and a hint of fantasy, he creates a masterpiece. GarcÃa Márquezs contribution to the literary homo distinguishes him as a subject noteworthy of study, for his work raises measurable questions of age and cosmos.         By designateting the standard for magical touchableism, GarcÃa Márquez prompts the reader to question what is real and what is unreal. In his work, he implies that our designing of reality is tainted by pragmatism and that reality is a far cry from rationality. With a mixture of political recounting and superstition, GarcÃa Márquez combin es the actuality of journalism and the gist of folktale to set the tone for his writing. He confirms: The tone that I eventually put on in One Hundred Years of Solitude was hand on the way my gran used to tell stories. She told things that sounded spiritual and fantastic, but she told them with complete naturalness... What was most important was the expression she had on her face.
She did not change her expression at all when singing her stories and everyone was surprised. In previous attempts to write, I tried to tell the humbug without believing in it. I discovered that what I had to do was believe in them myself and write them with the same express! ion which my gran told them: with a brick face. This technique is effective because it annihilates the distinction between the real and the fantastic, causing the reader to reconsider their perspectives on... If you want to get a full essay, order it on our website: OrderCustomPaper.com
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